Mark Bernstein: Mar0401: Emma Bull’s 1987 War for the Oaks descibes the war in Faerie for possession of Minneapolis, Minnesota. Reading it in Rome, I was struck by the impression that the entire genre of elfpunk is really about the way intelligent and sympathetic Europeans and Americans view each other today. (This categorie excludes the Bushies in the US, of course, and the most virulent left and right-wing culture hawks in Europe)
An interesting observation. In addition to the novels Mark suggests, I’d point to some of Michael Moorcock’s early works. Certainly there’s a suggestion of this in the Elric novels, and definitely in the Corum stories, particularly the second trilogy, where the elfin Corum is enlisted by the humans to be their champion in a war with dangerous magical beings, but after helping win the war is (willingly?) killed by his human friends because he no more fits into the new, human world than their enemies did.
http://www.doug-miller.net/blog/archive/hisdarkmaterials/hdmredux.html
Mon, 29 Mar 2004 22:44:22 -0500
http://www.doug-miller.net/blog/archive/hisdarkmaterials/hdmredux.html
Books
demiller@gmail.com (Doug Miller)
I finished the third and final book of the His Dark Materials trilogy last night, The Amber Spyglass. Highly recommended, even if you aren’t generally into fantasy. While ostensibly a series for young adult readers, this series is considerably deeper than this classification would suggest. Throughout, Pullman’s prose is exquisite,
I finished the third and final book of the His Dark Materials trilogy last night, The Amber Spyglass. Highly recommended, even if you aren’t generally into fantasy. While ostensibly a series for young adult readers, this series is considerably deeper than this classification would suggest. Throughout, Pullman’s prose is exquisite, and the issues he raises provocative.
To be sure, this isn’t Harry Potter. Pullman’s story is darker and more thought provoking, with a bittersweet ending that left me unsettled. On one level, Pullman’s story is a story about sacrifice, and it always bothers me a little to find characters that I feel I’ve come to know having to sacrifice something deeply important and cherished in order for a larger, more positive resolution. Pullman’s characterization is strong enough that I started to identify strongly with the main characters. Pullman’s world is one that cries out to be explored further.
Overall, a worthwhile read, and one that will join a very few selected other works on my “favorites” shelf.
